Like a seal
in broken sleep,
cold the moonlight;
lies on salt ice,
I let the sea
work. The floodtide
under my skull,
plugged by the full
March moon, under-
cuts the barrier
shelf, folds back, and
opens a lead
to my forehead.
The moon waves in.
Adrift, and washed
by the equinox,
I let the sea
work. Under me
the shelf calves off;
my sleep ebbs East,
offshore. Sure, for
once, I am neither
mad nor dead, I
dive awake from
night's snowbirds rise;
and I count them,
white and moonstruck,
climbing, beyond
Orion, to the moon
behind my eyes.
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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