Lillian Russell, I think of her standing
at the rail of the Niew Amsterdam as it sails
through Caracas to get a taste of the real slums
behind that ring of mountains; and I think
of Mae West beside her and Miss Columbia in
red, white and blue, and a French maid
with a white apron and a little white hat
carrying cocktails. A small boy is there
swimming with the rats
and toasting himself in the broiling sun.
He recognizes Simon Bolivar, Abe
Lincoln and Lillian Russell;
and he adores the Indian squaw
and her husband. Chief Pontiac,
and the loving couple with the
toilet seats around their necks.
He turns to Father Guzman, a Maryknoll
priest whose head was broken
by the National Guard and rubs him
behind the left ear where the swelling is.
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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