Advertisement

  • The Paris Review
  • Subscribe
      • Sign In

        Forgot password?

      • Subscribe
      • The Daily
        • The Latest
        • Columns
      • The Quarterly
        • Issues
        • Interviews
        • Fiction
        • Poetry
        • Letters & Essays
        • Art & Photography
      • Authors
      • Podcast
      • About
        • History
        • Opportunities
        • Masthead
        • Prizes
        • Submissions
        • Media Kit
        • Bookstores
      • Events
      • Donate
        • Donate to The Paris Review
        • Institutional Support
      • Newsletters
      • Store
  • The Paris Review
      • The Latest
      • Columns
      • Issues
      • Interviews
      • Fiction
      • Poetry
      • Letters & Essays
      • Art & Photography
    • Authors
    • Podcast
      • History
      • Opportunities
      • Masthead
      • Prizes
      • Submissions
      • Media Kit
      • Bookstores
    • Events
      • Donate to The Paris Review
      • Institutional Support
    • Newsletters
    • Store
    • Sign In

      Forgot password?

    • Subscribe

Heroic Couplet (The Hustle)

Stephanie Brody Lederman

Issue 75, Spring 1979

 

Want to keep reading?
Subscribe and save 33%.

Subscribe Now

Already a subscriber? Sign in below.

Link your subscription

Forgot password?

Paris Review Stack 244

Last / Next
Article

Last / Next Article

Share

More from Issue 75, Spring 1979

Buy this issue!

  • Fiction

    • Andre Dubus

      Waiting

    • Scott Paul Elledge

      Mary Kingsley's Importation of Duke Ellington to America

    • Barbara Milton

      A Small Cartoon

    • Mary Morris

      Holland

  • Interview

    • John Gardner

      The Art of Fiction No. 73

    • Irwin Shaw

      The Art of Fiction No. 4 (Continued)

  • Poetry

    • George Bradley

      In Bed With a River

    • Jorie Graham

      Mirrors

    • Allen Grossman

      Five Poems

    • Thom Gunn

      Sweet Things

    • Seamus Heaney

      Two Poems

    • Lewis Hyde

      Street Money

    • David St. John

      Lunch

    • Margaret Kent

      Where It Came From

    • Miriam Levine

      For a Poem

    • Herbert Morris

      These Are Lives

    • Alan Nadel

      Two Poems

    • Joyce Carol Oates

      Three Poems

    • Octavio Paz

      In The Middle Of This Phrase. . .

    • John Peck

      Two Poems

    • John Peech

      The Hardness of the Wind

    • Joyce E. Peseroff

      April to May

    • Jayne Anne Phillips

      Two Poems

    • John Ramington

      Theological Reflections at Roger's Tavern

    • Liam Rector

      Two Poems

    • Florence Rubenfeld

      Three Poems

    • Sherod Santos

      Difficult Place

    • Richard Tillinghast

      Sovereigns

  • Feature

    • Daniel Handler

      from Fantasies and Prejudices

    • Charles Russell

      Word and Image

    • James Salter

      D'Annunzio: The Immortal Who Died

  • Art

    • Chuck Close

      Phil/Six Images 1969-78, Self-Portrait

    • Stephanie Brody Lederman

      Heroic Couplet (The Hustle)

    • Allen Ruppersberg

      Burning Issues

    • Donald Sultan

      Issue No. 75 Cover

You Might Also Like
Trespassing on Edith Wharton

Trespassing on Edith Wharton

By Alissa Bennett
June 5, 2023
Nam Le and Nancy Lemann Recommend

Nam Le and Nancy Lemann Recommend

By The Paris Review
June 2, 2023
“Then Things Went Bad”: How I Won $264 at Preakness

“Then Things Went Bad”: How I Won $264 at Preakness

By Tarpley Hitt
June 2, 2023
A Coiled Spring

A Coiled Spring

By Mary Gaitskill
June 1, 2023
Columns
Home Improvements

Home Improvements

By Ottessa Moshfegh and others
Overheard

Overheard

By Tarpley Hitt and others
Diaries

Diaries

By The Paris Review Contributors
The Review’s Review

The Review’s Review

By The Staff of The Paris Review

Advertisement

The Paris Review 244
Revel

Suggested Reading

Trespassing on Edith Wharton

Trespassing on Edith Wharton

By Alissa Bennett
June 5, 2023

“It shall be born in mind,” Wharton once wrote, “that, while the main purpose of a door is to admit, its secondary purpose is to exclude.”

The Daily Rower

The Daily

Writers' Houses

The Art of Poetry No. 114

By Sharon Olds
 

undefined

From left, Galway Kinnell, Robert Hass, Olds, and Brenda Hillman in the Oakley house at the Community of Writers, Olympic Valley, California, 1989. Courtesy of Sharon Olds and the Community of Writers.

Sharon Olds published her first book, Satan Says, in 1980, at the age of thirty-seven. The book is organized into four sections, “Daughter,” “Woman,” “Mother,” and “Journey,” and it begins with its title poem, whose speaker is locked in a box she can open only by repeating after Satan: “Say shit, say death, say fuck the father.” At the time, Olds—who was born in San Francisco, graduated from Stanford, and received a Ph.D. in English from Columbia—was married to a psychiatrist, and she spent her days on Manhattan’s Upper West Side, caring for their two young children. Not long after the book’s publication, she told me last year, someone who had invited her to give a reading picked her up at the airport and said, “I thought you would look angrier.”

Fiction

From the Archive, Issue 244

Interview

Aisha Sabatini Sloan

Episode 22: “Form and Formlessness”

, November 2021
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.

Rachel Cusk photo courtesy the author.

Subscribe for free: Stitcher | Apple Podcasts | Google Play

 

The Daily Rower
    • Subscribe
    • Support
    • Contact Us
    • Events
    • Media Kit
    • Submissions
    • Masthead
    • Prizes
    • Bookstores
    • Opportunities
    • Video
handdrawn Paris scene by du Bois

©2023 The Paris Review. All rights reserved

Privacy Policy Terms & Conditions